Samo & Martin – wedding photojournalism workshops in autumn

[quote]Out whole experience is empty without the story.[/quote]

Let’s say for example – Spain, the place on the earth I really love. It’s connected to the people that opened my mind – I mean my first Spanish couple, Paz and Carlos. I met them a few years ago, they wanted pure documentary photojournalism – not typical wedding photography. They wanted photographer to be invisible. To focus on people. People and things as they are. I remember question about details. Do you want us to shoot details? No, just focus on the people. They wanted to see all the things by the people, but mostly all the people. All smiles, tears, emotions. So Spain brings me memory of Paz and Carlos’ wedding – the memory ot the biggest encounter with myself. To be on wedding and not disturb the real life, emotions. To capture it as it is. To tell the truth. Non polished glamour wedding images, but pure real life captured in transparent form. Come back to pure traditional photojournalism. To roots of the story. To connection to the things we see. Most of the photographers used to say: we are photojournalism. But honestly, most of the time it’s because the reason that they need an excuse to tell to the Client: this is photojournalism, you cannot expect anything, that’s real life. Well, a big mistake in thinking – photojournalism is about telling the story to the viewer.

And stories need to be told. They are not just series of pictures. This is main difference – story is the smell of the day. The connection to real life. The story is something real. It happened, we were there. We’ve seen it. We are witness of something that has priceless value. But the value is true only if we are able to tell the story.

I remember Paz crying during watching proof pictures after the wedding. Then I remember that we were asked to shoot birthday of Paz’s best friend – Gabina, in Madrid. It was the best prize in real life contest.

So workshop about telling the real stories. Building them. The skills to try. An encounter with ourselves. Our weakness. The change.

Since iceages people tell the stories. We, photojournalists, have pictures to replace the words. That’s the human experience with storytelling. In our aspect – pictures are words, but we need wisdom of choosing correct words to build the sentences, and whole story. So here comes the story building.

We want with Samo to share our experience, non conventional wedding photography as documentary photojournalism. A different approach to the weddings. We both have roots in press photojournalism. We both are hardcore wedding photojournalists by our thinking – composition, multilayered images, anticipation, storybuilding. This is nothing against doing pretty pictures. This is towards telling real stories by images. Bold, loud, full of life, fresh and delicious. We will show the path to shoot this lifestyle images. How to flow in any conditions, how to find subject on any wedding, how to build connection with the subject.

So the goal of this workshop is the encounter with a story. To tell the best story we can. We are like medieval bards. In some way, we are the part of the story. What are the rules, the random elements we need to predict and what is the main, heavy base.

What can you expect – extreme and fun exercises, assigment and review of the work, a very intense time with photography. Seeking for the subject of the story and thinking nonlinear. Pure documentary and photojournalistic work. Yes, very difficult questions to ask ourselves during the workshop and then, things to rethink, reanalyze. Multilayered images, digging into composition, playing with complex composition, understanding the lens, understanding models of exposure, thinking 3dimensional on flat surface of the picture, composing while picking the moment, story building. With some aspects we will come back to the roots, basics, but frequently misunderstood or forgotten by many digital photographers.

We have modified the concept from the previous workshop. More active and more with photography. More things you will stay with for the future hard work. More things that changed us and build our skills. Like previous time – we provide printed booklets for you, so you will stay with our suggestions and tips in printed and handy form.

Be ready for a change. It’s right time and right place to do it. See you there.

workshops.samoymartin.com 

after La Vinyassa workshop

It has taken me a long to summarize it. It’s always difficult when you miss something, especially people. That’s a problem with every workshop done. People we met, talked, liked.

La Vinyassa means rain. I’m not sure if it’s within translation or just within tradition. But fortunately rain means images and stories.

We thought with Samo to go back to the basics on the workshop: why and what we shoot. These are roots of our perception. Honesty with image and the story. It’s our story builder.

It was great to see that people were doing totally different images then on their wedding photography blogs. A risk, a temptation, an evaluation. This is main deal, an encounter.

Kind words to our workshop Partners: Leica Camera Poland and Floricolor. Thanks to Floricolor Albums we were able to print on time a booklet for workshopers. These booklet are something that was always in my mind, maybe a tradition to follow? Something written, something real, printed that will last with each person. Notes taken? Maybe a group picture glued in. La Vinyassa Experience. All people that I’ve met (again): Samo & Romana Rovan, Maria Cano @ Roberto Ramos, Carolina Sainz, Raquel Cavero, Núria Millàs, Inés Ormazabal, Patrizia Oriol, Aida Castañón, Isabel Oli & Sergio Recio@SilverMoon, Carlos Costa, Rafael Soriano Garcia, Adrian Faraldo Mendez, Victor Saboya Bengochea, Christian Roselló Ortega, Héctor Añaños, Gabriel Navas Alexandre, Frederic Wolf, Antonio de la Rosa, Michel Quijorna, Germán Rodrigo, Sergio Méndez Borges, Norberto Sala. A big hug my friends!

For future workshops with Samo and me take note with workshops.samoymartin.com and also our Facebook page.

A few shots/memories below. All Leica M9 + 35mm.

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after Chichon

Time to summarize. It was fifths workshop about pure marketing and psychology for photographers in terms of contact with Clients, ninth if counted with previous “Black is White” workshop editions. Sounds like voodoo. But rather this kind of magic it was really deep digging into the subject of what we do and what Client think. Luis Masyebra did great job about analyzing the Client steps into decision and whole tools’ part of workshop. Very scientific in term of professional approach. Great sum up with my psychology part and NLP approach. It’s twice great if you imagine that we did most difficult part – cutting/selecting/translating whole stuff during night before workshop of course after cervezas. And Ray Mass. It should be another story to be told about this man. He said almost everything I always wanted to say about WHY we shoot. WHY we should. For me – a wow and pure photographic addition to our stuff. And a large format group portrait of all – a great surprise and again – back to roots. It also brings me impression that on some level no matter what are the differences. There is knowledge we share. It’s amazing on every workshop I was doing: there is always something to learn yourself. From Luis, from Ray, from others, even we learn from mistakes. That’s life.

Below some memories on pics. All by Leica M9. All on 35mm. It was great to see you all and share some thoughts, hope it will bring you something important in your business. Masyebra, chapeau bas for fitting all together. You know you rule. Apart that you are my Metathron 🙂

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focusing with Fuji X Pro 1

Before I got Fuji X Pro 1 I couldn’t find any proper description how to use autofocus on this camera. More or less all reviews were about that some cameras are faster or slower or autofocus on Fuji X Pro 1 is not working at all.

After three weddings and one assigment I would say – I have figured out how to live with that. I doesn’t mean it will be comfortable for you or your friend, but as Americans say: how cares? a few thoughts below.
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semifinals Forza Italia with Fuji X Pro 1

five in the row just before Italy vs Germany match on Eurocup 2012 in Warsaw. Focus is snappy, details in the shadows near to 0,7EV to bring up until noise (so not bad comparing to full frame DSLR), the only ‘but’ is optical viewfinder – I’m used to Leica ones – this means for me a little ‘more’ picture when cropping on camera, with Fuji I have impression that frame it very tight to that what I’ve seen. all pics: iso250, f4, t1/500. PS. I was almost sure that Germany will win.
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