green window
let’s do some colours. Barri Gòtic near Plaça Reial. Barcelona, February 2011. Leica M9, 28mm, f3.5, t1/80, iso 800
so called backup
something really strange appeared yesterday on one photographer’s Facebook profile. how do you backup. I’ve read several posts about illussion of so called backup. what
flaramido
I’m still with music in my mind. Flaramido. Step down to catch the limit of Leica M9 sensor. The blasphemy of shooting in jpeg and publishing it. DNG stored for archive. stre
cold morning
I stuck on jpegs on Leica M9. I mean: I shoot both dng and jpegs, but most of the time I find jpegs usable for me. So much detail in the lights (until I burn them). A cold morning
Sunday diptych | icecreams with M9
lazy icescreams. welcome in iceage no 5. I donot have a colour problem with M9. 30 sec DNG open/contrast/save postprocessing. Warsaw, February 2011. Leica M9, 28mm, t1/45, f4, iso4
nightime basswalk | Barcelona
Just after great time & coffe with Xenia & Maceo we went for some streetshoots. Barri Gòtic, Barcelona, February 2011. Leica M9, 28mm, f2, t1/15, iso 2500
all that jazz: kadete
small, claustrophobic space. accoustic. 17 February, Warsaw. Leica M9, jpegs directly from camera, lenses 28-50-75, most of the time @f2, time 1/15-1/60, iso2500
Friday nightime
it’s amazing how Leica M9 perform in lowlights, providing huge amount of detail. the noise (or rather grain as I see it) is really easy to remove with almost no loss in detai
timing framing freezing
what I love in rangefinders is the possibility to see more then just frame, to choose really THAT time and freeze the whole world in pic. silent click. it’s not dealing with
shoes & legs
After four Cuba Libre… Legs from the right will kick St. Petersburg’s ballet. New Year, Warsaw. Leica M9, iso 2500, f2.4, t1/15, nocton 28/2